This counterpoint textbook not only offers basic and comprehensive instruction in composition theory, but also opens up access to the diverse music of the late Renaissance. Starting with the rhythmic, melodic and modal basics, the path leads through the compositional technique to the consideration of complete cantus firmus and imitation movements for two to five voices. In addition to the “Palestrina style”, special interest applies to the work of Orlando di Lasso, especially his numerous bicinia. In addition, some “German-speaking” composers have their say, including Caspar Othmayr and Johann Walter.

The detailed and clear structure allows this textbook to be used as a manual. It is primarily aimed at teachers and students of musical subjects, but also at practitioners, connoisseurs and lovers of “early music”.