Course of musical forms and analysis for vocal singing students

National University of Arts George Enescu IASI

The aim of the course is the knowledge of the main compositional models of European musical culture, with applications to vocal music
To develop analytical skills based on general and/or style-specific criteria
To study - by means of a discipline-specific systematics - all the styles of vocal, instrumental and vocal-instrumental music, correlating with the analytical and repertoire programmes of the subjects History of Music, Aesthetics, Counterpoint, Harmony.

Have advanced notions of Theory - solfeggio - dictation; History of music, Harmony; Counterpoint Use with ease data, theories, fundamental principles, relating to different musical cultures/ages/styles/genres.

Identify and describe the characteristics of different cultures, stylistic periods and musical genres, and the correct use of the basic elements of classical music writing and analysis techniques
Correct use of specialist terms
Acquisition of basic general knowledge and knowledge necessary for the profession/discipline Making connections between the knowledge acquired in other subjects and that specific to the field of musical forms and analysis
To argue the options for identifying formal patterns and delimiting their sections
The ability to analyse a musical fragment and synthesise information in order to obtain a correct result.

Further information

assessment

Exam with grade E
level

Intermediate
Completed Semester

8
How many semesters does the course last?

4
hours per week

2
Link of the course

Not available
Target group of course

Instrumentalists, advanced
credits

2
Type of Course

Lecture, Seminar
Degree Level

Bachelor
e-learning-elements

Internal online library resources Microsoft 365
Course

Mandatory
students #

6-15 students
Hours per year

56
BIBLIOGRAPHY
- Negrea, M. – Tratat de contrapunct şi fugă, Ed. de Stat pentru Literatură şi Artă, Bucureşti, 1956
- Teodorescu-Ciocănea, L. – Tratat de forme şi analize muzicale, Ed. Muzicală, Bucureşti, 2005
- Timaru, V. – Curs de forme muzicale, vol. I şi II, Academia de Muzică „Gh. Dima” Cluj, 1991 şi 1995
- Timaru, V. – Simfonismul enescian, Ed. Muzicală, Bucureşti, 1993
- Timaru, V. – Compendiu de forme şi analize muzicale, Universitatea Transilvania Braşov, 1997
- Timaru, V. – Analiza muzicală între conştiinţa de gen şi conştiinţa de formă, Ed. Univ. Oradea, 2003
- Toduţă, S. – Formele muzicale ale Barocului în operele lui J.S. Bach, vol. I, II şi III, Ed. Muzicală, Bucureşti, 1969, 1973 şi 1978
- Vasiliu, L. – Articularea şi dramaturgia formei muzicale în epoca modernă (1900-1920), Ed. ARTES, Iaşi, 2002
- Voiculescu, D. – Polifonia Barocului în lucrările lui J.S. Bach. Fuga, Conservatorul „Gh. Dima” Cluj, 1986
- Voiculescu, D. - Fuga în creaţia lui J. S. Bach, Ed. Muzicală, Bucureşti, 2000
ONLINE CATALOGUE
WITH CONTENTS
evaluation grid
evaluation grid
and document
Document

Course of musical forms and analysis for vocal singing students

National University of Arts George Enescu IASI

Further information

Teacher(s)

Gabriela VLAHOPOL

current position

Institution

National University of Arts George Enescu IASI

ROMANIA

IASI

Be a part of our european project !

Our partners