Electroacoustic Music Analysis

ISSM Conservatorio Statale di Musica “Guido Cantelli” di Navara

An introduction to the music of XX and XXI century using technologies. The course consists in an Historical introduction, listening and recognizing music composed with technological tools and analysis of score (if there is one) and audio signal

Intermediate and advanced students of any department (instrument, composition)

An overview on vocal and instrumental music of XX and XXI century using technologies (live and recorded) and on acousmatic music

Further information

assessment

Exam with grade E
level

Intermediate, Advanced
Completed Semester

1st or 2nd Semester
How many semesters does the course last?

One semester
hours per week

2
Link of the course

At the moment a link is not available
Target group of course

Instrumentalists, advanced
credits

4
Type of Course

Lecture, Practice
Degree Level

Bachelor
e-learning-elements

listening and test with on line questions
Course

Mandatory
students #

3-6 student
Hours per year

36
BIBLIOGRAPHY
- Curtis Roads, Composing electronic music, Oxford University Press, Oxford , 2005
- Laura Zattra, Studiare la computer music, Libreria Universitaria, Padova 2011
ONLINE CATALOGUE
WITH CONTENTS
evaluation grid
evaluation grid
and document

Teacher(s)

Simonetta Sargenti

Contact

current position

Faculty of History and Analysis of Music

Institution

ISSM Conservatorio Statale di Musica “Guido Cantelli” di Navara

ITALY

NOVARA

https://consno.it/

Be a part of our european project !

This European project (KA 203 Strategic Partnership) created by Salvatore Gioveni promotes cross-border collaboration in the field of Music Theory through sharing knowledge and transferring pedagogical innovation. It thus responds to a lack of centralised source and framework to deepen reflection by means of cross-disciplinary study at European and international level.

There is a significant wealth of educational practices from one country to another in this sector, especially in terms of harmonic musical notation and analysis. However, HMEI's are facing the nonexistence of a European network for pedagogical staff in Music Theory so far. To improve the situation, the project will among other things develop several intellectual outputs such as Online Platform (IO 1), an EU Bibliography (IO 2), a Repository Courses (IO 3), a Multilingual Glossary (IO 4) and an Exchange Online Learning Platform.

Besides the Conservatoire royal de Bruxelles as leader and manager of the project, the following partner institutions are involved: Music Academy S. Moniuszki Gdańsk (Gdańsk, Poland), F. Liszt Academy of Music Budapest (Budapest, Hungary), Estonian Academy for Music and Theatre (Tallinn, Estonia), HfMTh "Felix Mendelssohn Bartholdy" (Leipzig, Germany).

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